Max Neutra, Californian Artist, whose latest exhibition “New Tongues” at C.A.V.E, on Abbot Kinney, Venice Beach, was a major success extends his presence to the Old World and cooperates in Germany exclusively with “TYPORiA UG (haftungsbeschraenkt), The Living Room for Visual Communication” based in Berlin.
For what lies behind the fervour with which we are expected to view these masterpieces of Islamic art in Paris is a simple idea: that Muslims are not all raving, bearded, hand-chopping ambassador-killing head-bangers, but inheritors of one of the world’s greatest cultures, entwined within a tolerant religion, enhanced by learned men (alas, few women) who admitted Jews and Christians into their Islamic society and who produced some of the finest art in history.
Soon it began to rain. The drops fell faster and faster, until they came down by the bucketful. As soon as the rain let up, along came two young rapscallions.
“Hi, look!” one of them said, “there’s a tin soldier. Let’s send him sailing.”
They made a boat out of newspaper, put the tin soldier in the middle of it, and away he went down the gutter with the two young rapscallions running beside him and clapping their hands. High heavens! How the waves splashed, and how fast the water ran down the gutter. Don’t forget that it had just been raining by the bucketful. The paper boat pitched, and tossed, and sometimes it whirled about so rapidly that it made the soldier’s head spin. But he stood as steady as ever. Never once flinching, he kept his eyes front, and carried his gun shoulder-high. Suddenly the boat rushed under a long plank where the gutter was boarded over. It was as dark as the soldier’s own box.
The large format drawings are produced with graphite on paper using the technique of ‘frottage’ (from French) means they imitate a definite kind of surface material, executed by applying exerting pressure and friction.